Discover the most beautiful pieces for violin and piano duo
and download our free violin and piano duet sheet music collection
Playing together with piano is lots of fun as a violin player. There's lots of repertoire available on all levels, from beginner to advanced, and in classical music as well was popular genres.
Did you know most violin performances are done with piano? It's the most popular category of violin repertoire. Most people who are not Felix Mendelssohn do not have a private orchestra at their disposal, and while you should try to put together a chamber group, it can take time to find the right people. With violin and piano you have a full sound with just two musicians and the possibilities are endless.
There's TONS of music out there for violin and piano, whether original compositions, transcriptions, or simplified arrangements.
They range from exquisite to desperately boring. To save you some time, I've sorted out the desperately boring ones and chosen some of the best duets, easiest to hardest, for violin and piano. All this is classical music, but read to the end for some fun bonus suggestions.
Take a look at the list and find violin and piano duets for your playing level. For most I'm providing free sheet music, so you can get started right away with your violin and piano duo.
Disclaimer: I wanted this to be a list of original compositions as much as possible, not transcriptions arrangements. This means I didn't include any violin concertos with piano reductions, but only pieces that were originally meant to be violin and piano duets. I did include some volumes of arranged pieces for the easier levels.
#1 Solo Pieces for Beginning Violinists (arr. Craig Duncan)
This book contains sixteen short and very easy arrangements of popular pieces, both classical and fiddle tunes. There are staccato markings and slurs, but the rhythms are simple, and everything stays in first position. Because the tunes are very familiar, they are easy to learn, a fast addition to a student's first recital.
Every beginner violinist should have this book on hand when they need a break from their main repertoire but still want to play something that will challenge them. Barlow presents dozens of catchy, energetic tunes, but each one also has technical challenges. These tunes are so fun to play that even advanced students enjoy reviewing them! A wonderful introduction to the incredible world of fiddle music.
#3 Classical Violin Music by Black Composers Vol. 1 (arr. Rachel Barton Pine)
American virtuoso Rachel Barton Pine loves finding music by little-known composers and making it available to musicians of all levels. In this volume, she presents 22 pieces arranged for beginners. If you're curious about exploring music that is not included in Suzuki books, I recommend checking out collections like these.
Easy beginner pieces by one of the 20th century's greatest composers? Sign me up! It's exciting when beginners are able to play pieces actually written for them by great composers, not just simplified arrangements. Coming from a composer who wrote some of the most beautiful music of the last one hundred years, you know that these little pieces will be worth the effort.
This lovely piece could be described as a collaboration 100 years in the making. How could J.S. Bach (1685-1750) and Charles Gounod (pronounced goo-no, 1818-1893) have written a piece together? In 1722, Bach composed The Well-Tempered Klavier. Prelude and Fugue in C Major is the first work in the second volume, and one of the most famous. The Prelude is simply a gentle broken chordal pattern that ebbs and flows through many chord changes and dynamics. Over 100 years later, the French composer Charles Gounod improvised a romantic melody of Bach's baroque chord study. His future father-in-law transcribed the inspired improvisation and published it in 1853. It has since become one of the most widely played Ave Maria settings.
This sweet, short, but little-known piece is wonderful for intermediate students who want to delve into Romantic works. It does contain shifting and quite a few high notes, but the tempo is not fast and the theme repeats so there is not that much music to learn.
In classical music, sonatas are the highest form of duet because the violin and piano parts are so equal. If you do not feel ready to take on a whole sonata, why not try the mini version? I love this beautiful recording of Pinchas Zukerman playing Schubert's Sonatina in D Major. It is not difficult like most Romantic sonatas but has beautiful melodies and charming interplay between violin and piano. If you're interested in learning Beethoven or Mozart sonatas eventually, use this to learn the special collaboration skills needed for sonatas.
This piece embodies glorious hope in the face of tremendous pain and loss. Felix Borowski is not well-known in most circles. Born in England in 1872 of Polish descent, he later moved to Chicago where he became director of the Chicago Musical College and program annotator for the Chicago Symphony. He wrote three symphonies and three major organ sonatas, but Adoration is definitely his best-known work for violin.
In 1888, Elgar became engaged to his future wife Caroline. As a gift she sent him a poem she had written and titled "Love's Grace". Inspired by his love and his art, Elgar set it to music with the german title "Liebesgruss". The love token gained him some material wealth as well when he entered it in a composing competition and won 5£ (about 2,600£ in today's money). His publishers insisted that it would sell better if it had a French title, so he got it published as "Salur d'Amour".
The three pieces are Liebesfreud (Love's Joy), Liebeslied (Love's Sorrow) and Schön Rosmarin (Lovely Rosemary). All three exhibit Kreisler's characteristic trademarks of rubato and portamento. In order of least to most difficult, Liebeslied is the best piece to start with. It contains no doublestops, has a slow waltz tempo, and does not go past fourth position. Lovely Rosemary is not terribly fast, but does have several upbow staccato passages. It is a wonderful short piece for practicing this technique. Liebesfreud is the most difficult due to the faster tempo and consecutive thirds in the opening.
Composed in 1911 by an 18-year-old Lili Boulanger, this hidden gem is starting to be more widely appreciated. It exhibits very strong influences from French impressionists like Claude Debussy (see if you can catch a moment in the piano that sounds exactly like Afternoon of a Fawn). This piece is not tragic, but it is definitely nostalgic. It is perhaps foreshadowing also, when you learn that Lili died only six years later.
Kreisler packs a big punch with this little fireball. The lilting, nostalgic sicilienne gives way to two pages of sixteenth-note runs and fiddle-like string crossings. It also incorporates some fun left hand pizzicato. Fortunately, it doesn't go above third position, making it a great intermediate showpiece.
A chaconne is basically variations on a theme. It is attributed to Antonio Vitali, although some speculate that it was written later by someone else. Regardless, the solo part was altered by Leopold Charlier in the 20th century to make it more virtuosic. The violin spins into more and more complex renditions of the main theme, each expressing a deep sense of longing.
Kreisler is best-known for his delightful encore pieces. He is also known for writing pieces "in the style" of other composers and affirming that they were the ones who had actually written them. Preludium and Allegro is an example of this. He said it was composed by Pugnani, and musicologists actually started talking about the piece under Pugnani's name. They became very upset when they realized Kreisler had pulled one over on them!
It is so hard to pick just one Mozart sonata to list because he wrote thirty-six of them! Each is special in its own way, but K. 301 is very popular. All three movements are gentle and playful, which is wonderfully conveyed by Hilary Hahn in this recording.
Belgian composer Cesar Franck composed this in 1886 as a wedding present for the young violin virtuoso Eugene Ysaye. Franck was not at the wedding, but a friend of his presented the piece to Ysaye the morning of. After one quick rehearsal with his new sister-in-law, Ysaye performed the piece for his guests, and kept it in his repertoire for the next forty years.
This work is better known as the "Spring" sonata, a nickname given it by Beethoven's publishers thanks to its bright, refreshing character. This is only one of ten violin sonatas Beethoven wrote. The other two most famous ones are the "Kreutzer" sonata and Sonata No. 8 in G Major.
#18 Saint-Saëns Introduction and Rondo Capriccioso
Saint-Saens dedicated this work to Pablo de Sarasate. It has a distinct Spanish flavor; you can almost see the bullfighters strutting in during the main theme. Incredibly dramatic and evocative, it is a favorite among advanced students and major soloists. The recording below is performed by Christian Li, a world-famous soloist who is currently thirteen years old. His performance really brings out the energy and joy in the piece.
If you don't feel ready for the intensity of Brahms's violin concerto, his three violin sonatas are a good way to get a feel for his style. His third sonata is extremely lyrical in the first two movements. In the third movement the pianist gets a chance to shine, and it closes with a virtuosic final movement.
Pablo de Sarasate was one of the most beloved violinists of the early 20th century. Like many violin soloists of that time (including Fritz Kreisler and Henryk Wieniawski) he wrote many of the pieces he performed. "Zigeunerweisen" means "gypsy meadows," which is exactly what the piece sounds like. If you enjoy this work, you will love diving into the world of Sarasate's fiery compositions.
Antonio Ba-who? Almost no-one has ever heard of this Italian composer, even though he was one of the most eminent violinists of the 19th century. Today he is only remembered by the few very advanced violinists who can even play his flashy encore Dance of the Goblins. Even if you've never heard of Bazzini, you've probably heard of the violinist playing in this recording.
#22 Suite from "West Side Story" (arr. Raimundo Penaforte)
Three of the most famous tunes from Leonard Bernstein's beloved score come to life for violin and piano in this arrangement. "I Feel Pretty", "Somewhere", and "America" create a suite that is memorable and rhythmically challenging.
#23 The Lord of the Rings Music Book: Violin and Piano
This book has twelve songs from the whole trilogy including "Concerning Hobbits" and "In Dreams." Some of these pieces were written for violin solo in the original score, while others have been transposed. If you are a Lord of the Rings fan, you and your piano friend will love playing these arrangements.
